The Artist’s Mother
James McNeill Whistler, 1871, Realism, Musée d'Orsay, Paris, FranceWhistler
Louise Bourgeois, 1999, bronze, stainless steel, marble: National Gallery of Canada
Maman (1999) is a bronze, stainless steel, and marble sculpture by the artist Louise Bourgeois. The sculpture, which depicts a spider, is among the world's largest, measuring over 30 ft high and over 33 ft wide (927 x 891 x 1024 cm).[1] It includes a sac containing 32 marble eggs and its abdomen and thorax are made of ribbed bronze.
The title is the familiar French word for Mother (akin to Mummy). The sculpture was created in 1999 by Bourgeois as a part of her inaugural commission of The Unilever Series (2000), in the Turbine Hall at London's Tate Modern. This original was created in steel, with an edition of six subsequent castings in bronze.
The sculpture picks up the theme of the arachnid that Bourgeois had first contemplated in a small ink and charcoal drawing in 1947, continuing with her 1996 sculpture Spider.
It alludes to the strength of Bourgeois' mother, with metaphors of spinning, weaving, nurture and protection. Her mother, Josephine, was a woman who repaired tapestries in her father's textile restoration workshop in Paris.[3] When Bourgeois was twenty-one, she lost her mother to an unknown illness. A few days after her mother's passing, in front of her father (who did not seem to take his daughter's despair seriously), Louise threw herself into the Bièvre River; he swam to her rescue.
“The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. My family was in the business of tapestry restoration, and my mother was in charge of the workshop. Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother.” — Louise Bourgeois[4]
Rembrandt, 1628
Pierre-Auguste Renoir
1860
Joaquín Sorolla
1895
Lucian Freud, 1972
Albrecht Durer, 1514, Kupferstichkabinett Berlin, Berlin, Germany
Salvador Dali, 1920
Rembrandt, 1629 - 1631, Royal Collection (Buckingham Palace), London, UK
Paul Cezanne, 1867
Juan Gris, 1912
Giorgio de Chirico, 1911
Arshile Gorky, c.1936, Art Institute of Chicago, Chicago, IL, US
Georges Seurat, 1882-1883
Vincent van Gogh, 1888; Arles, Bouches-du-Rhône, Netherlands
Rembrandt, 1639
Salvador Dali, 1920
Camille Pissarro, 1888
Mary Cassatt, 1889-1890
Pablo Picasso, 1896
Pablo Picasso, 1896
Egon Schiele, 1911, Albertina, Vienna, Austria
Edward Hopper, 1915-1916
Henri de Toulouse-Lautrec, 1881-1883, Musee Toulouse-Lautrec, Albi, France
Guido Reni, c.1632
Franz Marc, 1902
Egon Schiele, 1910, Czech Republic
Fedir Krychevsky, 1904
Rembrandt, c.1630, Baroque
Rembrandt, 1631, Baroque
Rembrandt, 1631, Baroque
Wilhelm LEIBL, 1874, Gift of George Wallace, McMaster Museum of Art
Dimensions: Plate: 21 x 16 cm (8 1/4 x 6 5/16 in.) Support: 37.1 x 28.5 cm (14 5/8 x 11 1/4 in.)
Medium: Etching on Arches paper
It’s fun to see how many artists depicted their mothers — recognizing that this one woman of their lives is vital, important and irreplaceable.