Witches
Durer, 1497
Henry Fuseli, 1783, Romanticism
Benjamin West, 1777, Neoclassicism
Two Old Ones Eating Soup / The Witchy Brew
Francisco Goya, 1819 -1823, Museo del Prado, Madrid, Spain
Douglas Volk, 1884, Corcoran Gallery, Washington, DC
Matthias Stom, c.1635, Tenebrism
Alexandre Cabanel, 1887, Royal Museum of Fine Arts Antwerp, Belgium
Joseph Beuys, 1959, Tate Modern, London, UK
Francisco Goya, 1789, Museo Lázaro Galdiano, Madrid, Spain
Paul Klee, 1921
Utagawa Kuniyoshi
Hans Baldung, 1523, Städel, Frankfurt am Main, Germany
Hans Baldung, 1515
Nikolai Ge, 1857, Academicism
Dosso Dossi, 1535
Luis Ricardo Falero, Kitsch
Alphonse Mucha, 1896, Mucha Museum, Prague, Czech Republic
Guillaume Seignac, Academicism
Edith Maryon
James Henry Nixon, British Museum, 1831
Francisco Goya, 1821-23, Museo del Prado
Hans Baldung, 1508, woodcut
John William Waterhouse, 1886, Tate Gallery, London
Claudio Bravo, 1981
Witches hold a fascination for people. Historically, and in many traditional cultures worldwide (Africa, the African diaspora, and Indigenous communities) the term is commonly associated with those who use metaphysical means to cause harm to the innocent. The mainstream understand of witchcraft in the Western world derives from the Christian concept associating witches and witchcraft with evil and the Devil.
In the modern era, primarily in western popular culture, the word may more commonly refer to benign, positive, or neutral practices of modern paganism, such as divination or spellcraft. Belief in witchcraft is often present within societies and groups whose cultural framework includes a magical world view.